SLW is quilted

This quilt has been a worrisome thing. I've enjoyed the celebrations, but the fretting parts have not been fun. There's so much to it though, that I feel compelled to deal with the parts, good and bad.

The sun makes a stained glass illusion.

After the Sherry Lynn Wood workshop, I thought seriously of abandoning the chunks of fabric that I'd put together but guild sisters said to keep going. I decided to take it on as part of the Cotton Quilters "Finish on a UFO" challenge. 

I like the purples, which may be blue in reality.

I tossed in AHIQ's hourglass challenge--because what's a challenge without a challenge and I'm an idiot, sometimes--and found that I really liked how the hourglass blocks helped to make sense of it all. Then AHIQ helped again when I remembered the old Chinese coins challenge and used that to come up with a setting. Ann and Kaja, thanks for the help!

a row of hour glass blocks

The idea of quilting this was overwhelming. I folded it up and put it in the "to be quilted" bin, where the possibility of never looking at it again is kind of real. But where would that get me after all the other challenges? So a week or so later, I made a backing, loaded everything on, and tried to make a plan. 

Some of the original pieces

I should have known better. I don't make plans! Those are throwbacks from the old teaching days when everything was planned, or schemed. :) No, these days I have to plug in the machine and hold onto the handles. Something happens. Some times I have to rip out the stitches, but mostly I just play along with the muse that is the machine. (Doesn't that have a poetic ring?)

The neutral has a green undertone that may influence the binding.
But it's too soon to tell.

The quilting is rather unconventional. I mostly followed the shapes, but occasionally added some sort of motif in areas that needed additional quilting. I like that quilting it this way tends to draw people in because the motifs are a surprise. The kids started looking for circles and other shapes. They asked a couple of times how many to look for. I haven't the slightest idea! Ask the muse.

Linking up with
For the love of geese #47 Thanks, Denise!

SLW quilt ~~ a finished top

I started this quilt in a Sherry Lynn Wood workshop back in November. Since it was a two day workshop, I brought home only the beginnings of something. I could not determine what that something was. Can you tell from this picture that I was not impressed? Thanks to my friend Glen of Quilts and Dogs for taking this shot when I was completely lost in my piece.

In January I challenged the Cotton Quilters' Guild to bring a difficult unfinished project to the next meeting. At that time we would each present the project and tell the group what our challenge was. In March we were to bring the project to show. The beauty of the idea was that everyone got to choose her own piece and decide for herself what she would try to accomplish. 

 For example, one lady brought in a completed top and challenged herself to have it quilted (though not necessarily completed). I brought in the "SLW mess" and challenged myself to figure it out and complete the top. In March I would show the top and challenge myself to quilt (or complete) it.

Since AHIQ (adhocimprovequilts.blogspot.com) was having an hourglass challenge, I decided to add a few hourglasses. That was the pivoting point. After that the pieces seemed to just make themselves. 

As you all know there have been all manner of crazy things happening in the world. The March meeting was a sewing room tour and, because of the Coronavirus, we won't meet in April. 

I decided that I would still meet the challenge and get it to a completed top for the beginning of April. But look at that messy confusion on the design wall. I needed a strategy. Back to AHIQ, of course. At one point we had a Chinese Coins challenge going...What if? 

   



I tested my theory and voila! If you have too much happening, separate the confusion. Calm it, slow it, sort it. Just do something to give the eye a way to see the ideas individually. I used every inch of the neutral. Otherwise I'd have made the top and bottom strips wider to make the quilt longer. I am much happier with it now, however. I'm not exactly looking forward to quilting it, but once it's on the longarm, something will happen.

Voila! I figured it out....happily!

Remember that I went to a Sherri Lynn Wood workshop some time ago?


As you can see from this photo, I was a bit discombobulated by my work. I kept at it, but while there was something I liked, there was more I didn't like. People kept telling me it was good. That was nice, honestly, but I have to be happy from the inside. So I decided to put the whole thing on the design wall when I got home.

On the design board waiting for a plan

There it stayed and stayed. Life kept getting between me and it, including other pieces. Then last month I came up with a challenge for my traditional guild: bring a UFO/unfinished project to the February meeting with the intention of bringing it to an advanced stage for March. 

For example, I'll bring the SLW quilt pieces (that's my name for it for now) and tell the group I plan to bring it to a completed quilt top for the March meeting. Then in March I should commit to finishing the quilt for April. 

Reworking part 1

The problem was that I needed to get to a stage where I could make a commitment. What I had simply wasn't working for me, but I liked most of what I had. To add to the twist, I wanted to incorporate AHIQ's first challenge for 2020, hourglass blocks. 

I played and ripped and moved and added and subtracted and all sorts of crazy things for about three days. Then I read a couple of posts on the AHIQ blog and found the answer. Back to the design board, but with a plan I liked. Funny how a plan makes such a difference.

Reworking part 2

Reworking part 3

At this point (ready to go to the guild meeting) I have long strips of improv pieces that will be arranged in Chinese coins fashion. I've chosen a neutral brownish gray beige oddity for the background. 

  Final plan without the background

Once I arranged the strips in the order I wanted them, I pinned them with numbers, folded them neatly into a project box. Then added three stacks of magazines for the monthly mini (we buy tickets, the winners get to choose from the "minis" on the table until we run out) and even folded and stacked the two quilts I plan to bring for Show and Share. So I'm ready. Now to remember my phone, dues, and my stack of items. 

A Touch of Teal ~~ Finished!

I've had this little pink top sitting in the quilt queue for a while now. It had everything needed for a finish: backing, batting, binding. 

"How easy and quick would this be?," I wondered. "Quite easy and especially quick," I answered. 

So I loaded it and thought about quilt motifs. I wanted, as Richard loves to say, "Quick, fast and in a hurry." 

While quilt my last quilt, I stumbled upon a motif I like that is fast and pretty. It has the look and feel of a pantograph, except that it changes at random rather than repeat in a set pattern. It's kind of the best of both worlds: I get to enjoy the randomness but also have a pattern so it doesn't take long to come up with ideas. I can play a little with the motifs as I go along, and the openness of the motif quilts quickly.

I picked out my favorite motifs from One Big Finish, enlarged them and stitched them in in my usual, graffiti manner. All of the motifs have curves and wiggles to contrast with the straight lines of the Chinese coins pattern.

The backing was just a little short but I really wanted to use it since it has a pink, girly look that goes well with the front. It also has these small little teal flowers mixed in with the large pink and peach ones. How perfect is that?

To make it long enough, I just added a strip of hot pink on the top and bottom. Of course, I didn't have the sense to center the quilt top on the bottom, so the strips are not balanced, but I still like the quilt and the back is pretty awesome anyway.

	Quilt Stats
	Name:	A Touch of Teal
	Size:	35" X 46"
	Fabrics:	scrap fabrics from stash
	Backing:	scrap fabrics
	Batting:	100% cotton
	Pattern:	Chinese coins
	Quilting:	graffiti quilting w/ variety of motifs

The entire quilt was made from scraps and yardage from the stash. I made it back when Kaja and Ann had their AHIQ Chinese coins challenge. I can't find the original link to the challenge, but go to this link and scroll down to the labels which you'll find interesting.

Sunday Quilt Inspiration: Chinese coins

A couple of years ago AHIQ held a challenge to make Chinese coin quilts. Ann and Kaja made some gorgeous quilts; in fact, Ann made several. Today I ran across a couple of familiar-looking quilts on Pinterest. You probably guessed it. Two of their quilts! I'm not certain that they should be on Pinterest, but there they were.



Since I was searching for an inspiration for today, I got straight to it. Here are both of those and several more. 

Ann's quilt (Fret Not Yourself)

Kaja's quilt (Sew Slowly)

Chinese coins, it seems, is a popular pattern. I hope you're inspired to make your own!

Roseate ~~ Finish!

On Tuesday I finished up a pretty little pink baby quilt, which I'm calling "Roseate." It's a modern mash-up of all that I've been reading and enjoying for the last couple of months. 

Most of that has been modern quilting books and several blogs that also toy in modern quilting. Of course, I also read a few blogs that are serious about modern quilting. Together, all this reading and playing has sucked me into a spiral of scrap quilting. It's unbelievable how many pounds of scrap fabric I have. And I honestly don't think I'll ever get it down to, say, half the amount that I have now.  

 But I plan to keep trying. And I'm happy with a little hope that it will be better each time I dip into a bin and pull out a handful of scraps. That's basically what I did for this little quilt. I pulled larger pieces of scraps and began sewing matching pieces together. Then I matched those to either another sewn piece or to a larger single piece. Just keep at it for hours with an occasional move from the machine to the iron, to the cutting table to straighten the edges. (More on that later.)

Eventually I had big, wide slabs of fabric that could be oriented in any way I wanted. I began cutting them into 6" strips that finish at 5½ using my biggest, longest ruler. Then I sewed those together to make long strips 6 X 30. The 30" being an approximation. I considered each strip a Chinese coin stack and determined that four would make a quilt. I added enough solid Kona Light Pink to the tops and bottoms of the stacks so they would measure about 42 inches.  And then added 4" (3½" finished) strips of the Light Pink between the stacks so that all together the quilt is 38" X 42". 

Quilting it was the most fun. I started out by quilting in the ditch around the perimeter of the stacks and then adding three more straight lines about ½" apart on the inside. I played on the light pink background: circles, leaves, shells, scrolls and a new motif that I created on the fly. Basically, I just had fun, but I like the outcome.

I finished it all up with a pretty Kona Fuscia binding and remembered to add a label. (Go me!) 

Please share you thoughts. I am open to opinions and suggestions. I want to improve my work, and your expert opinions are like getting gold for free! Thanks for that.

	Quilt Stats
Name:	Roseate (Scrap Quilt)
Size:	38" X 42"
Fabrics:	Scrap fabrics; Kona Light Pink from stash
Binding:	Kona Fushia from stash
Pattern:	Chinese coins (scrap coins variation)
Quilting:	Custom Free Motion Quilting
Completed:	February 2017

Linking up with some of my favorites:

Crazy Mom Quilts

My Quilt Infatuation

Busy Hands Quilts

Confessions of a Fabric Addict

Brag About It @ My Husband Has Too Many Hobbies